Ibsen’s The Lady from the Sea has surfaced onto the Donmar stage in an adaptation by Elinor Cook and directed by soon-to-be Young Vic Artistic Director Kwame Kwei-Armah.
The eponymous Lady is Ellida, daughter of a lighthouse-keeper, second wife to dependable but dull Dr. Wangel, and step-mother to his daughters Bolette and Hilde. Ellida is tormented both by the loss of their infant son and by the memory of a sailor she met in her teens, and made a pact with to marry when he returned.
Following their production of The Truth, also by Florian Zeller, the Menier Chocolate Factory, director Lindsay Posner and translator Christopher Hampton have teamed up again for the English language world premiere of The Lie.
Two middle-aged couples are living a chic upper-middle-class lifestyle in Paris, but with secrets buried just below the apparently idyllic surface.
Gangsta Granny, Birmingham Stage Company’s production of David Walliams’ bestselling children’s book, has arrived in the West End. Suitable for kids aged 5 and over, the show is a perfect antidote to cries of ‘Grannies are boring!’.
So here we are again. I hope you’ve adequately recovered from the triumphs, trials and tribulations of the first semi-final. Personally I’m still getting over the loss of Finland (one of my favourites this year) and Montenegro (how on earth did Slavko – basically Eurovision in human form – not go through?!). But rather than dwelling on the sadnesses of semi-final 1 I’m reminding myself that we have Azerbaijani man-horse-stepladder to look forward to again on Saturday, along with lovely Salvador from Portugal. So it’s onwards to my preview of what to look out for during semi-final 2! Continue reading →
Guys. GUYS. It’s that time of year again. The time of year when we willingly sit around the TV watching a baffling array of singers we’ve never heard of performing songs we’d never normally listen to, followed by several hours of voting during which endless countries lay bare their astonishingly bad taste in music, or their neighbourly affiliations, or their political hostilities… or all of the above. It’s Eurovision Song Contest time! And I for one could not be more excited! Continue reading →
This time last year, I was sipping champagne on the Royal Opera House outdoor terrace prior to perching (literally) on my high-chair seat to enjoy the 2015 Oliviers ceremony. This year, unfortunately, having not had the same privilege of being a panellist for the Awards, I am instead lounging on my sofa and have to wait, like the majority of the theatre-loving world, to watch the highlights on TV later tonight. However, a fellow 2015 panellist and I couldn’t quite resist the temptation to rustle up our own predictions for who will win this year’s Awards…